Friday, January 20, 2012

Love, Later

Breakfast

Theirs wasn’t a love story.

For that to be true, they would have had to love each other in that ridiculous ultimate way that ended with either a happily ever after or both of them blowing their heads off.

She laughed when he told her this, so hard that she slid in and out of view from his rearview mirror. “You’ve been reading too much again,” she said, not opening her eyes from where she was stretched out in his backseat. “No one’s story ends like that. Happiness is relative.”

“So love is relative too?” he asked. “I don’t buy it.”

“I don’t buy that killing each other off is the only way to find true happiness,” she replied easily. Her eyes remained closed, seatbelt draped haphazardly over her hips so that she was technically safe.

“And are you happy?”

She tilted her head at him from where she was lying down in his backseat, eyes shiny slits of green as she squinted in the spots of sun that made it past the tree blurs on either side. This was getting way too deep for a car ride to breakfast. “Yes.”

“Relatively.”

“They’re the same thing.”

He’d wanted to push her, to ask, “Relatively to what?” She would have gone along with it. She had a lot to say on the subject of faith and signs from heaven. She meditated in the mornings, rearranged her furniture to salute the sun, had Chinese characters tattooed on the inside of her wrist. He would have circled the block a couple times when they got to the restaurant to keep her talking. She wouldn’t have noticed.

Instead, he pulled into the parking space, hearing her shift behind him, pulling her shoes back on, murmuring softly to herself. She hated premature silence.

He got to her door before she could. “Honestly, it’s the twenty-first century,” she said (she accepted his arm anyway). “Wait.” She reached up and yanked two grey hairs from the front of his head.

“Now four more are going to grow in their place,” he joked, taking a quick glance at the top of her head. But she was almost six years younger than him, and her hair was dyed. He’d probably never see the first of her grey hair; she’d probably never let him.

“You honestly believe that crap?” she asked, grinning up at him.

She stepped away from the car too quickly, and he pulled her back, away from the oncoming car. It honked at her as the driver raised his arm. They didn’t have to see him to know what he was doing.

The shock registered for a split second before she stepped back out into the street. “Well, fuck you!” she screamed, eyes radiating with that exhilarated look she got whenever she disobeyed a rule. Suddenly revived, she grabbed his elbow and they practically skipped to breakfast.

They flipped through the health food section of the menu first by habit before they looked up and registered that they were the only two sitting at the table. She raised her hand for the waiter and ordered a plate of chocolate chip pancakes and two glasses of chocolate milk.

“We’re old, we’re falling apart,” she told him. “Might as well do it on a sugar high.” He was almost fifty. It was embarrassing that sugar still gave him a buzz. But she smiled—a real smile, and there were lines on her face that he didn’t remember. He reached out to touch one around her mouth, and she laughed, reaching for her napkin. “I haven’t eaten anything yet, and I’m already a mess.”

He finished tracing the line somewhere near her chin and said nothing.

Full of sugar and laughter later, as they drove to the theater in his car, he decided that at that moment he was happy, relative or non-relative.


Blue Morning

She awakes to find morning peacefully infiltrating the room. Around her, the blue light of pre-dawn touches the walls, the ceiling, her skin. Somewhere on the other side of the house, the sun peeks over the horizon, sidling into view, but in this room, it is still night.

She swings herself silently over the side of the bed. It’s one shot, motionlessly moving her feet from bed to floor, a perfect science of hand bracing and weight placement. She accomplishes this action easily, a practice she’s perfected over ten years. Still, she glances back at the figure beside her, checking for the quiet expression she both knows and needs to see. He sleeps on, still a light sleeper after all these years.

It takes one to know one.

She needs a purpose for getting out of bed, a better one than “I just needed to get out,” and decides on water. She shifts her weight to get to the bathroom, feet protesting the sudden weight, every sore joint in her body begging her to make it stop. She pushes through the pain, as she’s always done, smiling to herself. It’s amusing how years of running and fighting and travel have simply ensured her safe travel to and from her own bathroom.

Her glass feels cool and familiar in her hand, and she reaches for the tap, glancing at herself in the mirror. She’s been losing weight over the last fifteen years, and her skin looks stretched, taut over a face that has aged. She’s weathered, but (and this always shocks her) there she is. The same nose, the same curve of chin and lips, the same eyes that could never decide on reflecting blue or green light. There’s something new in her face, though, an expression in her eyes. She looks closer. Compromise? No, acceptance.

She turns the tap, filling her glass with water, glancing through the mirror to where he still sleeps behind her, remarkably still in the room of blue. It’s been a while since he’s slept through the night. Even now, years after they’ve had to load and unload their lives from a car in a matter of minutes, he sleeps restlessly. He’s a hero without a cause, and when he sleeps, his body twitches beside her, muscles clenching and unclenching, still ready for action.

She takes a sip of the water, surprised at the contrast between the comforting fluid and her dry mouth. She finishes the first glass easily and fills another.

Come to think of it, though, she can’t remember his last fitful night. Did he still have the dreams? Did he sleep all the way through the night now? She’ll ask him. She’s always hoped for his peace, but she knows him, knows him better than anyone. She’d rather live with him up in the air, together in this purgatorial calm, rather than alone on the ground.

Suddenly, she has to be near him.

Her foot slips on the last step to bed, and she catches herself on the bedside. He awakes somewhere in the middle of her scramble to get herself back under the covers, and by the time she looks at him, he’s conscious, blinking, trying to focus on her face.

“What’s wrong?” he asks. His voice is cloudy, confused.

“I was thirsty.” This was true. She had been thirsty—simply didn’t know it until she had mouthfuls of it sliding down her throat.

“Is that it?” There’s too much for him to process. He’d rather ask questions than read this wrong. He’s still not sure whatever this is.

She lies down beside him, staring up at the ceiling. “I love you.”

He kisses her tentatively. And damn, it was true, what they said about not saying it enough. He’s still confused, and so is she. But he’s here, and so is she, and they’re too tired to speak, so she rolls onto her side and smiles, and he knows it’s alright. Each tries to watch the other fall back asleep, but they won’t remember who succeeds, because they’re both asleep soon, slipping off to somewhere soft and warm.

Outside, orange light seeps into the blue, filling the sky outside and the room around them.


Creature

A certainly strange creature, commonly talked about, hardly seen. Look for it in bookstores or work or in your basement, playing World of Warcraft with your best friend. It's a small creature, small enough to be held in a palm. However, it's best owned by two. Some find it best suited to three or four, but, if possible, try not to own it alone. It's a large responsibility and you may find yourself overwhelmed with your tiny creature. It appears meek and joyful. Do not be fooled. At times, it becomes sad and moody. A beautiful being, like bamboo. Like all things, it is either saved or not. Kept or not. Held or not. Forever or not. There is no in-between, no half-creature, though you may lead yourself to think that it still lives with you in your bed or the sunny window in your kitchen. Do not be fooled. If it has left, it may come back. Or it may not. You must not wait for it. It will not come to you inside and alone. The creature loves people, and while you are out looking for your creature, you may find someone looking for theirs. Out of nowhere, it may come back. Both of you will have to share it, but the creature doesn't mind. That may be the most maddening part. If Something should happen and your co-owner leave, the creature may stay with you or with both of you. You will wake up and find it curled at the edge of your bed, staring at you with large and steady eyes. It will follow you until time arrives and quietly leads it away out your chimney and into the atmosphere.

3 comments:

  1. Wow, there's a lot here! These seem sort of like coming-of-middle-age stories; I know the characters are about three times my age, but I still feel like they're in the middle of developing, which was well conveyed. I guess you never actually get used to yourself... One of my favorite parts, actually, was when the woman looked in the mirror in the second story "(and this always shocks her) there she is." I think I remember thinking when I was younger that my face would go through some drastic changes as I got older, and I'd look completely different. But there was no sudden metamorphosis, and I still look basically the same. This story made me remember that, and I really related to your characters even though they're in a completely different stage of life. It conveyed aging as more of a process, and gave me tools to understand it.

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  2. "Creature" reminded me a little bit of Kafka's "Blumfeld an Elderly Bachelor." His story is rather fragmented but I'd recommend giving it a look for ideas if you wanted to develop the piece further. Individually I think "Breakfast" is probably the strongest of the three pieces, though it benefits from working in conjunction with the other two. I particularly liked the contrast between the maturing relationship of "Breakfast" and the one more stable one encapsulated in "Blue Morning."

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  3. I'm glad to see that you're writing a lot, but for our purposes it will be better in terms of critiques to just post one piece per post; select what you fell is the strongest thing you've written during the week, or the one you're most invested/interested in.

    "Love, Later" is a good draft, feels complete (beginning, middle, end). Establish the characters and dramatic situation up front (he's fifty, she's younger, he's driving, she's in the back seat, on their way to breakfast, she likes to break rules) Some questions arise: do they live together? dating? why is she in the backseat? The conversation on happiness in the beginning could be condensed; perhaps develop the near death experience, the sudden acknowledgment of aging and mortality. Finally, keep the close third person POV in one character's consciousness; this seems to to be mostly from his POV but in places drifts into hers ("This was getting way too deep for a car ride to breakfast."). Similarly, "Blue Room" is for the most part in her POV, though slips ("There’s too much for him to process. He’d rather ask questions than read this wrong. He’s still not sure whatever this is.") In short short fiction, it is even more important to primarily show, and tell judiciously. There are some mysteries here that could stand some illumination: her running and fighting and traveling, and them loading and unloading their lives in a matter of minutes, his fitful nights: these sound compelling but too much is withheld for the reader to know what it all means. The first two read as two of a series, featuring the same two characters perhaps. The third is different animal, reminiscent of Cortazar's stories of Cronopios and Famas.

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